S.O.L.T.C.A.T. series: part V
These negatives come from the beach installation: String of Light That Connects All Things (S.O.L.T.C.A.T.), What could be more appropriate for documenting a temporary expression of Light and Space, than an old-school black and white 35mm film camera. I have had this camera with me since I was 16 years old, taking photography 101 with Bill Hendricks at Ventura College. If you have ever used the chemistry of a darkroom, you know what that completely magical moment just before you begin to see the ghost of an image appear on paper. I want to suspend that expression in time with the release of this series of film compositions. They require the viewers participation to hold them up to the light. The expression able to change with each viewing.
materials: kodak 35 mm film negative, plexiglass framed in copper tape
dimensions: 6X4”
These negatives come from the beach installation: String of Light That Connects All Things (S.O.L.T.C.A.T.), What could be more appropriate for documenting a temporary expression of Light and Space, than an old-school black and white 35mm film camera. I have had this camera with me since I was 16 years old, taking photography 101 with Bill Hendricks at Ventura College. If you have ever used the chemistry of a darkroom, you know what that completely magical moment just before you begin to see the ghost of an image appear on paper. I want to suspend that expression in time with the release of this series of film compositions. They require the viewers participation to hold them up to the light. The expression able to change with each viewing.
materials: kodak 35 mm film negative, plexiglass framed in copper tape
dimensions: 6X4”
These negatives come from the beach installation: String of Light That Connects All Things (S.O.L.T.C.A.T.), What could be more appropriate for documenting a temporary expression of Light and Space, than an old-school black and white 35mm film camera. I have had this camera with me since I was 16 years old, taking photography 101 with Bill Hendricks at Ventura College. If you have ever used the chemistry of a darkroom, you know what that completely magical moment just before you begin to see the ghost of an image appear on paper. I want to suspend that expression in time with the release of this series of film compositions. They require the viewers participation to hold them up to the light. The expression able to change with each viewing.
materials: kodak 35 mm film negative, plexiglass framed in copper tape
dimensions: 6X4”